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       The 22nd New York Masters Forum was held at the 866 United Nations Plaza in New York City.

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        The annual New York Masters Forum once again kicked off, with a full house of distinguished guests gathering in the afternoon of April 9th at the United Nations Building Conference Hall, 866 United Nations Plaza in Manhattan. Since its inception in 1998, the Masters Forum has held 21 sessions, inviting elite figures from various fields to discuss and exchange ideas on issues of common concern in the United States and internationally, thereby stimulating people's thinking and promoting academic development. The theme of this forum is "Interdisciplinary Dialogue on Art, Education, Technology, and Health." The organizing institutions are the International Strategic Alliance of UN NGOs, the World Art Center, Masters Publishing House, co-sponsored by UNAA Art School, and the American 21st Century Cultural Technology Association.

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       The moderator of the conference is Mr. Karlin, President of Masters Publishing House and Chairman of the World Art Center. Keynote speakers include Dr. Zhao Yunlong, Chairman of the International Strategic Alliance of UN NGOs; Dr. Zhang Yaowei, President of the Shanghai Cultural Arts Appreciation Promotion Association and Executive Director of the Shanghai Chinese Calligraphy Institute; Ms. Ellen Song, Dean of the New York Health College; and Mr. David Li, Dean of UNAA Art School.
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      Dr. Zhang Yaowei is attending the New York Masters Forum for the second time. Last year, his speeches on art and philosophy with the renowned painter Mr. Leng Jun left a deep impression on the participants. This time, his lecture is titled "Calligraphy and Qigong," tracing the evolution of Chinese characters "qi," describing the evolution of Chinese qigong, its connection with Chinese calligraphy, and elucidating that most famous Chinese calligraphers are over 80, 90, or even over 100 years old, such as Chen Tuan of the Northern Song Dynasty and Gu Zhenle, a 106-year-old consultant calligrapher at the Shanghai Chinese Calligraphy Institute. Dr. Zhang also demonstrated calligraphy qigong exercises on the spot, arousing the interest of the participants, who eagerly followed suit. Dr. Zhang also demonstrated basic calligraphy creation on prepared rice paper, proposing that the study of calligraphy should start with the Eight Principles of Ancient Seals, and proficient calligraphy strokes are the foundation and shortcut to learning Chinese calligraphy. "Calligraphy Therapy" became a hot topic at this forum.
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       Chinese artist Mr. Zhang Yaowei demonstrated qigong calligraphy on site
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      Dr. Zhang Yaowei also proposed to establish a memorial hall for his teacher, the master of Chinese studies, Mr. Nan Huaijin, together with the Dinglong Museum, because both of these sages had compassionate feelings: "Thousands of worries, inches of heart for the mountains and rivers." They are both inheritors and promoters of Chinese culture.
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       Dr. Zhang Yaowei's calligraphy work, accompanied by the following explanation:
       "In walking, standing, sitting, and lying down, rub the hands over the abdomen. When the mind and abdomen are connected and agile, the hands move down to the intestines. Rubbing thoroughly to invigorate the arms and waist, then use fists to massage the kidneys. When feeling weary, seek assistance from family members. Practice without fatigue repeatedly, day and night without end. With years of accumulated effort, gradually embark on the path of immortality. A poem on the lifestyle of immortals."


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       Zhang Yaowei's Contemporary Calligraphy Work "Miao Men"

       Ellen Ůʿ½éÉÜÁËŦԼ½¡¿µÑ§ÔºÊÇŦԼΨһÃÀ¹úÐÂÓ¢¸ñÀ¼½ÌÓýÂÛÖ¤»ú¹¹ÂÛÖ¤µÄÒ»ËùÖÐÒ½´óѧ£¬½¨Ð£40¶àÄ꣬ΪÃÀ¹úÅàÑøÁËÖÚ¶àÖÐÒ½Ò©È˲š£´óѧΧÈÆ“½ÌÓý”¡¢“·þÎñ”¡¢“¿ÆÑДµÈ£¬ËÜÔìÒ»Á÷¹ú¼ÊÖÐÒ½Ò©´óѧ¡£

        Ms. Ellen Song introduced the New York Health College as the only American New England Educational Accreditation Institution in New York that accredits a Chinese medicine university, established for over 40 years, which has trained numerous talents in Chinese medicine for the United States. The university focuses on "education," "service," "research," etc., shaping a first-class international Chinese medicine university.

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        During the forum, artists such as Youyou and Angel from Columbia University discussed the hottest and most controversial AI technologies today, elaborating on the pros and cons of AI technology applications. Artist Sun Lida, through his personal experiences, helped many artists like Leng Jun enter the American market. He called for closer connections between the financial market and the art market. Mr. George, a Hong Kong financier, announced their plan to jointly establish a $500 million art fund with the World Art Center to intervene in the discovery and market operation of contemporary artworks. Mr. Edward, manager of the Baltimore Orchestra, shared with everyone the different reactions of people from different cultural backgrounds to the same musical performance during the orchestra's touring performances in the United States, Europe, and Asia. Dr. Huang Hua, who has immigrated to the United States for nearly 30 years, formally announced at the forum that he is willing to donate a building located on Dinglong Road in upstate New York to jointly establish the Dinglong Museum with Columbia University, commemorating the poor laborer from the late Qing Dynasty who donated his life savings of $12,000 to Columbia University to establish the renowned East Asian Institute. Many participants expressed their willingness to contribute money and effort to the early completion of the Dinglong Museum.
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       The New York Masters Forum Organizing Committee, the International Strategic Alliance of UN NGOs, and the World Art Center presented the following awards: Outstanding Achievement Award to Ellen Song, Outstanding Achievement Award to Zhang Yaowei, and Remarkable Achievement Award to Angel Zhao.

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        Other guests attending the forum included renowned American artist Sal Sidner, Liu Mingru, President of the Qianhai Chamber of Commerce in Shenzhen, China, and Deng Longlong, Co-President of the New York Institute of Finance. Unfortunately, the conference was not attended by the esteemed artist Leng Jun due to unforeseen circumstances. However, Cai Jie, a surrealist painter known as "Little Leng Jun," participated in the forum.
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        The atmosphere of the forum was enthusiastic and lasted for more than three hours, with everyone reluctant to leave their seats.
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       Famous New York artist YOYO, created works
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